Blogs

Andrewreid's picture
May 07, 2013
Andrew Reid

Diamond mining is an obsessive pursuit for quality that drives companies to literally move mountains.  To be exact, up to 1750 tonnes of earth for every one carat of gem quality diamond.

The analogy is particularly relevant in the context of our obsession with big data. 

In our pursuit for the perfect correlation, we’ve become obsessed with collecting as much data as possible, fulfilling the “big” in big data but at the same time loosing perspective on how best to retrieve that one-carat of flawless data that validates the investment.

This is not an argument against more data, on the contrary; a business needs to strip mine huge swaths of real estate to find a data gem. Rather, this is a reminder that big data can be flawed, irrelevant and even un-interpretable, requiring both computing power and human intuition to identify the correlations that underpin the project’s value.

The model above illustrates that big data is actually a function of data with various degrees of quality and utility. Found within all this ‘noise’ is a much smaller “information” section, and within that, relevant information containing pertinent insights. It’s a fraction of a fraction.

The sheer volume of data originates from five broad categories: stated, behavioral, social, psychological and genetic. There are implicit and explicit types in several categories to be sure, but broadly speaking, big data should be attempting to harness each source to make the necessary correlations or predictors. If not, the ‘mining’ process falls short and is caught in a race against time to exploit the insights before their relevancy diminishes.

This is why grading data, and subsequent insights, is central to the big data story.

A high grade data ‘diamond’ will draw in high quality anchors from stated data (explicit) like CRM data (demo, postcode, income strata), social (explicit), and potentially psychological (character traits, mindset) and genetic indicators. By comparison, lower grade correlations will be dominated by behavioral data and implicit signals for stated and social data like search terms and sentiment.

With this in mind, and in the context of RTB in Australia right now, what’s the perception of data quality applied to the bidding process? You’d probably rate it low to medium grade, with 80 percent of the data at its most effective within 48 hours of its time-stamp.

Time to dig a little deeper, and a little smarter.

 

Andrewreid's picture
April 15, 2013
Andrew Reid

 Teams from Komli Australia and New Zealand (ANZ) came together in the ANZAC spirit for two days to reflect on a year gone and the year ahead.

Based on the cliffs of Cockatoo Island, the team indulged in fine food and company while competing fiercely to bring out their artistic side for an interpretation of connectivity.

However, like many businesses in the region, the team is far Antipodean. Instead, think Team UN, with members from China, Ireland, Bangladesh, England, USA, Fiji, Malaysia, South Africa, Hong Kong, New Zealand and Australia completing the picture. But unlike the Tower of Babel, this team speaks the one (digital) language, and is never shy to voice an opinion about the next trend in digital marketing and ad tech.

Many interesting conversations ran late into the night.

During the event Komli ANZ also announced its new Passion Play program. For half day every month, every team member has the opportunity to use this time to pursue a personal interest  - a surf lesson, an art class, photography, blogging, documentary making, whatever. The quid pro quo is that the team member must record the activity in words, images or video and share with the broader team.

As many people in our industry can attest to, we’re so busy staring at screens we rarely take the chance to call time-out and pursue our broader interests, let alone share those moments with people in our work lives.

As Komli ANZ enters its new financial year, our passion initiative is about restoring some balance to the workplace, strengthening Komli’s position as an employer of choice.

Here’s to great 2013.

 

 

benozbourne's picture
March 19, 2013
Ben Osborne

Market Overview

The total interactive spend for New Zealand reached an all time high in 2012.

It was USD$306.5m. (NZD$366.10m)

This total online advertising expenditure represents 169% increase on the total spend of USD $113m (NZD$135m) reported back in 2007.

The total display market in NZ represents USD$92.959M (NZD$111.05m).

This segment of the market has been, and will continue to be the cornerstone of growth in New Zealand.

The latest IAB report in New Zealand was published in February 2013, in this report it was noted that global forecasts predict display to be the fastest growing channel over the next two years due to the rapid rise of social media and online video advertising each of which are growing at about 30% per annum. In NZ, the IABNZ estimates social media to be growing at a similar rate of 28%.

  1. Split of the market across (estimated, by amount spent ($NZD) 

Video

While video & mobile growth is understandably commanding the attention of the world, in New Zealand video spend in 2012 represented a contribution of USD$10.62m (NZD$12.69m) up 28% YOY from 2011.

Mobile

In New Zealand Mobile achieved the strongest growth in 2012 totaling USD$2.69m (NZD$2.83m) which was equal to 176% growth YOY from 2011.

While this growth is impressive, it’s important we note how far behind most clients still are in this market as development capital is always under pressure for clients from many angles, but awareness  in terms importance of developing mobile sites and capability in this space is high. Prioritisation of development capital for companies in Mobile will be an important box tick for 2013.

 

  1. Digital spend by industry vertical (finance, travel etc)

The five largest categories in Q4, 2012, comprised 51% of total Display ad spend.

These categories will continue to be the forefront for the 2013 – 2014 financial year.

Leisure, Entertainment and Media will also be another key category.

 

1. Investment, Finance and Banking: NZD$3.41m

2. Travel and Accommodation: NZD$3.39m

3. Food and Beverages: NZD$3.31m

4. Government departments, Services and Communities: NZD$2.98m

5. Telecommunication: NZD$2.62m

Extensive research carried out by local NZ agancies points towards expedendail growth again in the  2013 calandar year, 15-16% growth of an already high base.

Without question, Komli Media in New Zealand is well positioned in helping agencies with smart online media solutions across many key premium verticals, coupled with our social media offering extending to new heights this year, this further substantiates our underpinning offering.

With these trends observed, 2013 promises to be an exciting year for Komli Media NZ.

 

apurvadala's picture
March 10, 2013
Apurva Dalal

Second edition of innovation event aimed at encouraging engineers to work on their favorite technology ideas

On March 7th and 8th, Komli Media, APAC’s leading digital media technology platform conducted a Hackathon for its engineers across its Mumbai, Delhi, Bangalore and Chennai offices. With its continued focus on innovation, Komli Media pursued the second Hackathon event that led the techies to build creative and complex prototypes.

 The event saw ideation in diverse technology areas of machine learning, data analytics, fuzzy search, cluster infrastructure, mobile apps, and frontend web technologies. The prototypes solved core technology challenges related to digital advertising including automated campaign optimizations, better prediction in bidding model, smart editing of Ad creatives, search intelligence in mobile, user modeling and Big data insights.

 Komli Hackathon started at 10am on 7th March followed by a rigorous 26 hour coding session that lasted until the noon of March 8th. Engineers at each of the four offices were glued to their laptops/desktops with coffees, energy drinks, delicious food and endless murmur during the whole event.  The participants, in teams of 3 each, came up with creative team names including “The Hobbits”, “The Gangs of Komlipur”, “The Avengers”, “Return of Titans”, “NULL”, “The Rajni Rangers”, “Green Berets”. With competitive spirits in high gear, more than 60 Komli technologists participated in the event to win the top prizes for the event’s best hacks. In all, the Hackathon saw a total of 20 plus innovative demos of the built prototypes. Komli Media being a technology driven platform has time and again ensured that the best in class technology is adopted and encouraged. All the “hacks” were presented to the whole company with exec team cheering and judging the event participation to pick the top demos with most creativity, complexity and relevance to the digital advertising space.

 Speaking at the occasion Apurva Dalal, Vice President of Technology at Komli Media mentioned, “Komli media thrives because of its best in class technology platform. Our engineers power this platform and are constantly encouraged to innovate on the most challenging problems of scale and complexity. Hackathon, as an event, has celebrated the technical talent amassed at Komli as well as their ability to excel in a high adrenaline environment. We look forward to championing many more technology innovation events in near future.“

Second Edition of Hackathon 

Andrewreid's picture
March 05, 2013
Andrew Reid

Amongst all the static, chaos and noise about Big Data and value of audience insights, is there something much larger developing here, something akin to the Human Genome Project and the concept that our behavior and physical well-being are predetermined by our genes?

In other words, are we building - through the separate efforts of various data and technology businesses - a genome for consumers and media audiences?

The principal of deconstructing and mapping human biology, natural environments and even art, into a small number of primary characteristics (genes) or genome, and then modeling future behavior and changing characteristics using those genes is, arguably, just as applicable to digital media and its critical mass of verifiable audience data.

The Art Genome Project (AGP), for example, headed by New York-based Matthew Israel, is an ambitious project to “distinguish and connect works of art” from across the globe.

The AGP assumes any artwork can be defined from a group of 1,211 universal ‘genes’. In turn, an artwork’s originality, value and popularity can be more effectively ‘measured’ or even predetermined.

My point is, are we doing something similar when media buyers, via their programmatic dashboards, start bidding for that online shopper or that online reader? Through our optimisation techniques, aren’t we identifying those core audience ‘genes’ or characteristics that lead to a specific behavior?

At the moment we have hundreds of efforts running simultaneously to define the latest super segment for dishwashing liquid, R&B concert tickets or the latest HTC smart handset, but no program running across all these projects to truly optimize at a universal scale. The closest effort in this regard might be Google search, or in a music context, Apple’s iTunes.

Like these successful digital businesses, the lure of developing and patenting a universal rule or algorithm that successfully calculates 95% of the time a person’s propensity to purchase a certain item is, to put it simply, the ROI of Big Data.